
This room is on the lower ground floor, and has lower ceilings than the rest of the house. It could easily have ended up feeling rather dark, but the wide expanse of windows opening onto the garden, the pale stone floor and simple low shapes of the furniture keep it lights and uncluttered.
Against the pared-down minimalism of the table and cupboards and almost-bare wall, the snaky S-shapes of Tom Dixon's raffia chairs have a gloriously organic, almost sculptural impact and provide an interesting change of texture. In one corner of the room, where a sofa and chairs are grouped around a cosy open fire, checked fabrics and textured embroidery have been replaced by simple white linen upholstery and cushions in clear tonal shades.